![]() ![]() #Art of illusion x marks for free#Directed by Halina Dyrschka, the feature-length documentary centers on af Klint’s groundbreaking practice and the spiritual, scientific, and natural phenomena that inspired her work.īeyond the Visible is currently available to stream for free on Kino Lorber’s YouTube, which is a trove of art history and culture. To learn more about af Klint’s legacy and view her expansive oeuvre, pick up The Complete Catalogue Raisonné: Volumes I-VII. Beyond the Visible spotlights the life and work of the pioneering Swedish artist Hilma af Klint (1862–1944), an obscure figure during her lifetime whose colorful abstract works predate those of famed male artists like Vasily Kandinsky and Piet Mondrian. Released in 2020, an acclaimed documentary serves as a corrective to the art historical record. You can follow its progress on Twitter and Instagram, and head to its site for occasional live streams. The Ocean Cleanup plans to create a fleet of ten System 03 machines in the coming months, which the organization estimates will be powerful enough to restore much of the area. Once collected and hauled from the water, the waste is organized into shipping containers and sent for recycling or repurposing. The ships will haul a massive 2,500-meter wide and four-meter deep net system that sweeps the targeted areas to gather debris and funnel it to a sizable retention zone. In a newly produced concept video, The Ocean Cleanup suggests that System 3 will now be comprised of three vessels that rely on drones to identify waste hotspots. In short, bigger systems mean a lower cost per kilogram.” System 002 removed more than 100,000 kilograms of plastic as of July 2022. #Art of illusion x marks driver#“Bigger systems mean fewer support vessels, which are the main cost driver (and the main carbon emitter) in our operations. “When it comes to cleaning the oceans, size matters,” a statement about the new technology says. The nonprofit, which wants to remove 90 percent of floating plastic by 2040, is now conceptualizing its third iteration of the machine that will be the largest and most efficient model to date. #Art of illusion x marks Patch#A gyre, or system of currents, surrounds the area and sucks debris and litter into its rotation, trapping hundreds of millions of kilograms of plastic waste within its 20 million square kilometers.īack in 2018, The Ocean Cleanup engineered a slow-moving apparatus called System 001 designed to wade through the patch to retrieve garbage with a massive net. coast and Japan is an enormous vortex of trash. Sadly known as the Great Pacific Garbage Patch, a wide swath of ocean between the U.S. Gathering the Sky, Mining the Milk is on view through November 19 at Heller Gallery in New York. Figurative statues like the artist’s recurring bridesmaid character, miniature bird sculptures, chalices, and Greco-style columns infuse the pieces with narrative detail. Similar to Cowan’s earlier works, these new reliefs are brimming with foliage, flowers, and small baubles that encircle a scenic component embedded in the center. ![]() Through intricately layered dioramas of pressed glass, the Philadelphia-based artist explores the histories of lavender, jade, and opaque white. Her assemblages meld custom and found pieces sourced from primarily defunct factories in the United States, many of which produced a specific palette of colors like the sky blue of “Ecco to the Bridesmaid: ‘I Know Not What Has Happened to Your Pod.” Comprised of two symmetrically shaped panels, the diptych blends an array of materials and generational references, including the 1992 Sega video game Ecco the Dolphin and the emblem of Louis Comfort Tiffany, the artist behind the iconic opalescent stained glass lamps. In her solo show Gathering the Sky, Mining the Milk, Amber Cowan emphasizes the legacy of color. All images courtesy of Heller Gallery, shared with permission ![]() “Fountain with Fans in River and Jade” (2022), flameworked American pressed glass, mixed media, 22 x 19 x 6 1/2 inches. ![]()
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